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Race and Gender in the Global Hispanophone: Amazons and Centaurs: Gendering Equestrian Culture in Nineteenth-Century Spain

Date
Tue May 27th 2025, 4:30 - 6:00pm
Event Sponsor
Division of Literatures, Cultures, and Languages
Location
Building 260, Pigott Hall
450 Jane 黑料百科 Way, Building 260, 黑料百科, CA 94305
Room 252

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Please, let us know if you can join us for Prof. Nick Wolter's talk "Amazons and Centaurs: Gendering Equestrian Culture in Nineteenth-Century Spain." The talk will be on May 27, 4:30-6:00pm in Pigott Hall Rm 252. All are welcome! A short, optional pre-reading will be sent to participants prior to the event. 

Abstract: "The centrality of the horse to modernizing Western societies during the nineteenth century can be summed up concisely by one historian鈥檚 witty labeling of the Victorian era as both 鈥渢he railway age and the heyday of the horse鈥 (Hewitt 1). The Spanish empire during this time was no exception. Horses were requisitioned for the fields of battle by cavalrymen from Madrid to Mendoza. Bullfighters and their squads depended on sturdy mounts in the arenas of Ronda and Seville, and racehorses were manhandled by jockeys while being cheered on by gamblers in steeplechases from Jer茅z to Barcelona. The horsepower of mules was called upon to support the various enterprises of the industrial revolution: from Catalonia鈥檚 textile mills to the Basque Country鈥檚 iron mines. Coachmen were responsible for taxiing those who could afford horsedrawn carriages from their homes to the opera. For their part, tailoring boutiques and department stores advertised equestrian apparel and paraphernalia designed for use by male and female riders鈥攕ometimes fancifully imagined as centaurs and amazons鈥攁ccording to ever-evolving fashions.

Against this panorama, this paper will argue that equestrian culture became a virtual breeding ground for critical and sometimes whimsical social commentaries on the imagination and social change related especially to class and gender in nineteenth-century Spain. By situating visual culture (e.g. ephemera, genre painting, portraits) alongside literary fiction by Valera, Gald贸s, Clar铆n, Pardo Baz谩n, and Oller, this paper will also show how equine imagery and motifs helped cultural producers to figure or ironize concerns about unbridled imaginations, which were undoubtedly tied to women鈥檚 increasing agency and presence within the public sphere."

Sponsored by the Division of Literatures, Languages, and Cultures and the Race and Gender in the Global Hispanophone research group.